Navaan Sandhu- Kath Lagda

Use your face's reference and use this prompt for the last frame-

A haunting black-and-white cinematic photograph inside a large abandoned rectangular room with minimal furniture. The room has a worn tiled floor with perspective lines leading toward the center, white aged walls, a high ceiling with heavy dark vignetting in the upper corners, and soft natural daylight entering from a long row of industrial windows running along the entire right wall. Near the right wall stands an old wooden wardrobe with two doors. On the back wall hangs a small round analog clock positioned slightly left of center. On the far left side is a doorway and an empty shelving unit. Four identical versions of the same man (use the supplied face reference for every character) are positioned throughout the room: One clone stands in the exact center foreground, facing directly toward the camera with hands clasped behind his back. One clone stands near the left wall, partially in shadow, facing slightly toward the camera. One clone stands near the right windows in deep shadow, facing forward. One clone stands against the back wall beneath the clock, leaning casually with head lowered. Every clone has the exact same face, hairstyle, facial hair, age, body proportions, and skin tone from the reference image. They are clearly the same individual duplicated four times. Clothing is identical on every clone: oversized black T-shirt extremely baggy black pants black sneakers thin silver chain necklace minimalist all-black aesthetic The facial features are intentionally obscured by dramatic lighting, with only faint highlights catching the eyes and cheekbones. Camera position is eye level using approximately a 24–28mm lens, wide-angle composition capturing the entire room. The central clone occupies roughly one-third of the frame height while the others are spaced naturally around the room exactly like a cinematic group portrait. Lighting is soft window light from the right, creating deep shadows and strong contrast. High dynamic range with crushed blacks. Image style: ultra-realistic photography, psychological horror atmosphere, minimalist composition, monochrome film look, Kodak Tri-X 400 grain, subtle film scratches, heavy vignette, soft bloom, high contrast, deep blacks, realistic textures, abandoned building aesthetic, analog photography, cinematic still, eerie silence, moody, 8K, photorealistic.

Please note: Do not forget to crop this image as it should look like closeup photo (as you saw in the video)
Upload the Last frame photo which you made using above prompt and also the same face reference image, then use this prompt-

A haunting ultra-realistic black-and-white cinematic photograph inside the exact same abandoned rectangular room. The environment is identical: worn tiled floor, aged white walls, high ceiling with heavy dark vignetting, soft daylight entering from the long industrial windows on the right side, subtle film grain, an old wooden wardrobe visible blurred in the background, and a small round analog wall clock mounted on the back wall. The camera is positioned close to the back wall, creating a medium close-up portrait (approximately chest-up to waist-up) of a single man standing directly beneath and slightly in front of the wall clock. Use the supplied face reference exactly. The man stands perfectly straight with both arms relaxed naturally at his sides. Instead of looking toward the camera, he slowly turns his head and gazes toward the left side of the room (camera left), giving a mysterious, emotionless expression. His posture is calm, still, and composed, as if waiting in silence. He wears the exact same outfit as the final scene: oversized black T-shirt extremely baggy black pants (partially visible) thin silver chain necklace black sneakers (barely visible) The analog wall clock is positioned directly above and slightly behind his head, remaining perfectly aligned with the room geometry. The wall behind him is plain, aged, and minimally textured. Lighting is identical to the final frame: soft natural daylight entering from the windows on the right side of the room, producing gentle highlights along one side of the face while the opposite side falls into deep shadow. Eyes remain partially hidden in darkness, creating an eerie psychological atmosphere. Camera settings: approximately 50–70mm lens medium close-up shallow depth of field subject perfectly sharp background softly blurred while keeping the wall clock recognizable eye-level camera cinematic framing Image style: ultra-realistic photography, monochrome film, Kodak Tri-X 400, subtle film grain, heavy vignette, psychological horror aesthetic, abandoned building atmosphere, minimalist composition, deep blacks, soft bloom, photorealistic, cinematic still, 8K.

For video, use this prompt:

A seamless cinematic dolly-out shot that begins exactly from the supplied first frame and naturally ends exactly on the supplied last frame. The scene takes place inside the exact same abandoned monochrome room. The environment must remain perfectly consistent throughout the entire shot: identical wall textures, tiled floor, analog wall clock, industrial windows on the right, wooden wardrobe, shelving unit on the left, lighting direction, shadows, and perspective. The camera starts in a medium close-up of the man standing beneath the wall clock. He is completely still, standing upright with a calm expression while looking toward the left side of the room. His oversized black shirt, silver chain, hairstyle, beard, facial proportions, and lighting remain unchanged throughout the shot. The camera then performs one single, smooth, slow cinematic dolly backward while gradually widening the field of view. There are no cuts, no jumps, no sudden acceleration, no orbiting, and no handheld shake. The motion should feel as though the camera is physically pulling away from the subject on a stabilized cinema dolly. As the camera continues moving backward, more of the room is naturally revealed. The floor tiles stretch toward the foreground, the industrial windows on the right progressively enter frame, the wardrobe becomes fully visible, the shelving unit appears on the left, and the room expands exactly as expected from the first frame. During the zoom-out, three additional identical versions of the same man are gradually revealed in their final positions. They do not appear suddenly or materialize. They are simply outside the initial framing and become visible naturally as the camera widens (see the last frame, nothing should be changed) None of the characters move, speak, blink excessively, or change pose. The atmosphere is tense, silent, eerie, and cinematic, with a psychological thriller feeling. Maintain the monochrome film aesthetic, high contrast, soft natural window light, deep blacks, subtle film grain, slight lens breathing, and realistic optical depth of field. End on the supplied last frame with matching framing, perspective, lighting, and composition